La música en las representaciones de lo latinoamericano en los primeros filmes hollywoodenses con sonido incorporado (1927-1932)
The rapid transition from the so-called “silent films” to the “sound films”, that took place in the late 1920s, raises questions and speculations related to the decisions and negotiations faced by musical directors, composers and arrangers of Hollywood when defining how to musically characterize Latin America.What notions and background inf